Chinese brush

the effect of the traditional culture on the chinese brush handwritings

论传统文化对中国书法的影响

Writing Brush and Chinese Landscape Drawing

毛笔与中国山水画

Basically, one should use five fingers to hold a Chinese writing brush and keep the shaft upright.

拿中国毛笔的方法一般是五指执笔法，笔杆要竖直。

Chinese brush was long and soft, its control was difficult in the strokes controls. Chinese brush painting will become a new field of robot control study.

毛笔笔头长且软，比硬笔及软笔控制难度高，毛笔绘画将成为机器人控制研究的新领域。

Chinese artists paint with brush and ink. In their paintings, the unpainted parts are white.

中国画的画家用墨画出事物, 在事物的间隙中, 空置的部分就是白了.

Usually a bronze tray instead of a table is placed on the "kang" and a book from old-style private schools ， like the Three-Character Primer, is put on top. Other things include a Chinese brush pen ， abacus and a cake. Scissors ， and a ruler are added for a girl.

通常会在炕上放上一个铜盘，而不是桌子，在盘上放本私塾用书，比如《三字经》。再放上毛笔、算盘和蛋糕。如果是女孩，就加上剪刀和尺子。

We can be enlightened by him in many aspects including traditional modern styles, realism abstraction, and how to extend future development space on Chinese brush and figure drawing.

事实上对于传统和现代、写实和抽象，以及如何在水墨人物画上开拓今后的发展空间等问题，我们都可以从周思聪的创作获得一定的启发。

Editor: Are there another feeling in Chinese brush drawing and watercolor painting?

艺术经纬：你的水彩水墨好像又是另一种情感了？

CHANGING TIME AND VARYING ART "-The changes of contemporary Chinese brush stroke figural paintings "

“ 时运交移,质文代变 ” —— 当代工笔人物画表现方法的变迁.

His equipment consisted of a counting board, a Chinese writing brush, a little paper, some money and the accounts of his clients.

一个算盘，一支毛笔，几张纸，一点钱以及主顾的账簿。

Carved Bamboo Chinese Brush Holder Collected by Nanjing City Museum

南京博物院藏竹雕笔筒

Traditional Chinese letters were written in Chinese brush from right to left.

传统的中国信函是用毛笔自右往左写的.

In this paper, it is discussed how to use Chinese brush and ink for the creation of freehand brushwork in traditional Chinese painting in ten different ways in order to improve the painting ability.

由此从十个方面对中国写意画创作中如何运用笔墨进行阐述，旨在提高绘画能力。

With the method of exaggeration, distortion, symbolic and decorative, Han portrait stones and bricks enriched the choice of wide space in Chinese brush drawing.

汉画像石画像砖夸张、变形、象征、装饰的手法以求神似，在形的处理上丰富了水墨画造型在似与不似之间广阔的空间的选择。

He has a unique skill of writing with a Chinese brush in both hands.

用左右手同时写毛笔书法,可是他的绝门儿!